In-Mould Decoration Using Film Inserts

Traditional post-mould decoration can be relatively expensive to achieve and the results sometimes lack long term durability. In this article, Tim Wright describes the benefits of an alternative process - film insert moulding Post-mould techniques are traditionally used for decorating moulded products, ranging from the outer shells or cases of mobile phones, to key panels on white and brown goods, heater and ventilation controls in cars and fascia components on medical devices. Although many of these techniques have been used for some years and offer known benefits, inherent limitations of the processes involved mean that there are almost always disadvantages or compromises to be addressed, in terms of production costs or finished part quality. Now, however, a new generation of in-mould decoration (IMD) techniques, and in particular film insert moulding look set to change the way companies design and manufacture products, with reduced cost and improved quality. Traditionally, there have been five main methods of post-mould decorating, of which spray painting is perhaps one of the most widely used. This process is relatively straightforward, can be used for any shape or size of part and gives good colour and lustre effects. It does, however, make it difficult to achieve a durable hard coat or patterned finishes, cannot be backlit, requires a high level of capital investment, generates considerable waste and the process can generate environmental concerns. Similarly, laser etching uses at least one paint, or sometimes ink layer that is then cut back by a high powered laser to reveal the underlying surface, creating graphics, text or patterns as required. This method produces good results, often with complex graphics, but is normally restricted only to two colours and has long cycle times of up to 20 seconds per part produced. This can be reduced by using more powerful, and therefore more expensive, lasers but the process is still slower than spray painting. A third technique is appliqué, where a pre-printed label is simply applied to the part. Although this is an inexpensive process and high quality labels are easy to produce, they are prone to peeling and do not generally appear to be an integrated part of the moulding. A more effective process is Aquagraphics. This is a water transfer process where a pre-printed water soluble film is applied to a moulding, enabling extremely high definition effects, such as wood grain on car panels, to be produced. The downside is that the transfer must be protected by a spray coat, while waste and part production costs are high. Finally, pad printing offers a simple method of applying graphics and text to moulded parts, especially in small areas, but again suffers from problems of durability, cannot be backlit and is only suitable for low volumes, as output is slow at about 250 units per hour. By comparison, the latest film insert moulding (FIM) technique offers a number of important benefits in a wide range of applications. In particular, it provides far greater design flexibility than competing processes, enabling complex multi-colour, metallic or photographic quality images to be created, with the option of backlighting. Additionally, FIM offers the potential of production cost savings through process optimisation and a reduction in the number of components and stages normally required, plus the ability to minimise waste. The technique can be used for small and large volume production runs and can also produce deep drawn profiles. The FIM technique An image is first screen printed on the underside of a special hard-coated film. Images can be produced either singly or in multiples; for example, up to 80 mobile 'phone covers can be produced from a 1.0m² sheet of film. Printed sheets are then transferred to a vacuum, pressure or thermoforming press where they are formed to

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